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How did Shakespeare's plays sound when they were originally performed? How can we know, and could the original pronunciation ever be recreated? For three days in June 2004 Shakespeare's Globe presented their production of Romeo and Juliet in original, Shakespearian pronunciation. In an unusual blend of autobiography, narrative, and academic content, reflecting the unique nature of the experience, this 2005 book by David Crystal recounts the first attempt in over 50 years to mount a full-length Shakespeare play in original pronunciation. Crystal begins by discussing the Globe theatre's approach to 'original practices', which has dealt with all aspects of Elizabethan stagecraft - except pronunciation. A large section is devoted to the nature of the Early Modern English sound system. There are reports of how the actors coped with the task of learning the pronunciation, how it affected their performances and how the audiences reacted.
- Sales Rank: #225815 in Books
- Brand: Brand: Cambridge University Press
- Published on: 2005-05-23
- Original language: English
- Number of items: 1
- Dimensions: 7.80" h x .51" w x 5.12" l, .76 pounds
- Binding: Hardcover
- 208 pages
Features
- Used Book in Good Condition
From Publishers Weekly
In his account of a theatrical and linguistic experiment, Crystal, author of the Cambridge Encyclopedia of the English Language, makes the story of a Globe Theatre production of Romeo and Juliet using Early Modern English both breezy and academically enthralling. For the 2004 production, the first in fifty years to employ language and pronunciation from Shakespeare's era, Crystal prepared the play's text and taught the cast how to speak as Shakespeare's original players are thought to have spoken. Crystal explains how he used Elizabethan spellings and clues within the script (line meter, rhyming schemes and sound patterns) to determine how words sounded in the sixteenth century, a question that vexed him throughout the play's production. Despite his dazzling linguistics accomplishments, Crystal writes in a down-to-earth manner, discussing his field and the production with a dry wit and true enthusiasm. American readers may have problems following the discussion of British regional accents, and, as with all theater books, the best writing cannot make up for the reader's inability to see (and, particularly in this case, hear) the production. However, as a brief study of an intriguing experiment, this title will be as welcome to the theatrical and linguistic worlds as Crystal's earlier works.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Review
"...bedazzles you with an eye-popping presentation of the cluck-clucking of the mother tongue. If you like fireworks with your information, this is a worthwhile language book." --William Safire, The New York Times Magazine, on the first edition of The Cambridge Encyclopedia of the English Language (1995)
"...a monstrous amount of information on a fascinating topic arranged in a clear, concise, and, above all, entertaining manner...can only lead to uncontrollable reading binges lasting hours or perhaps days." --Quill & Quire on ^The Cambridge Encyclopedia of the English Language
"This is a fascinating and useful book....a fine introduction for a wide variety of potential users." --Choice on English as a Global Languge (Cambridge, 2003)
"...offers compact, profound, and easily accessible insights into the problem of linguistic extinction." --Choice on Language Death (Cambridge, 2000)
About the Author
David Crystal is one of the world's foremost authorities on language. An internationally renowned writer, journal editor, lecturer and broadcaster, he received an OBE in 1995 for his services to the study and teaching of the English language.
Most helpful customer reviews
20 of 20 people found the following review helpful.
Only concise available description of reconstructed Early Modern English pronunciation
By T. W.
The title of my review states clearly what I was looking for in this book, and what I had found difficult to extract from the standard scholarly works of Kökeritz, Dobson, and Cercignani. I award this book four stars because it (and it alone, as far as I know) contains (buried in its chatty commentary about the weather, how the author doesn't get nervous before giving lectures, etc.) this simple desideratum. If you've ever felt frustrated that you couldn't find the 2-5 pp. account for Shakespeare equivalent to such easy-to-find information (on a basic level) as "How to pronounce Chaucer" or "The sounds of Italian," this book is a decent remedy. It would have been better (both for usefulness and book sales) for Crystal & Cambridge to have brought out, instead of this diffuse and incomplete large-font-with-lots-of-white-space-between-the-lines book, an even slenderer (but far more detailed and thorough) volume entitled "Shakespeare's Original Pronunciation: A Practical Guide, With Transcriptions." (Perhaps Crystal, because he is not an expert, was too modest to go this route, but the experts have conspicuously failed to provide this for teachers, readers, and actors.) If you want the meat of the reconstruction, actual phonetic information is contained only on pp. 13, 37-41, 47-54, 60-92, 115, 175-181 (and could have been distilled into a five-page handout). The rest of the book will mainly interest theater people who want additional behind-the-scenes commentary on how the production happened (dealing with actors' personalities, what the audience thought, etc.).
6 of 10 people found the following review helpful.
Pleasant reading, but not more chatty than scientific
By Macon Phillips
I have enjoyed all of David Crystal's books that I have read. He is an excellent linguist, whom I greatly admire for his ability to communicate effectively to a wide audience of varying linguistic experiences. However, this book is a simple narrative description of a project, not much more than a diary. The linguistic impact of this issue would accommodate one article in some journal, certainly not a whole book. If linguistics is your interest, choose another book.
2 of 3 people found the following review helpful.
Extraordinarily interesting, exceptional
By John
Anyone interested in things Shakespearian will not be able to put this book down. I was astonished how interesting it was, and informative.
See all 9 customer reviews...
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